{"id":5747,"date":"2009-03-31T00:36:00","date_gmt":"2009-03-31T00:36:00","guid":{"rendered":""},"modified":"2020-07-28T03:07:29","modified_gmt":"2020-07-28T03:07:29","slug":"diamond-charts-primer-what-they-are-and","status":"publish","type":"post","link":"https:\/\/comichron.com\/blog\/2009\/03\/31\/diamond-charts-primer-what-they-are-and\/","title":{"rendered":"Diamond Charts Primer: What they are &#8212; and aren&#8217;t"},"content":{"rendered":"<p>I&#8217;ve been needing to get this online into the FAQ section of the site for some time \u2014 there actually was one before my old database imploded last year \u2014 but it comes up enough that it&#8217;s worth a permanent note, in addition to the material listed under &#8220;The Fine Print&#8221; here in various places on The Comics Chronicles. (Some of that got also eaten in a recent redesign; restoration is underway.)<\/p>\n<p>Estimates based on Diamond&#8217;s sales charts \u2014 and before that, Capital City&#8217;s \u2014 have been appearing for years, frequently sparking discussions as to what the numbers actually are reporting. Publisher purchase orders, creator royalty statements, print runs \u2014 all manner of other information about comics sales regularly available to some in the industry may be found to never coincide with the Diamond tables. There&#8217;s a reason: what Diamond is reporting, and what those sources represent, are different groupings of comic books. In fact, it is a calculation unique to a moment in time, and to Diamond Comic Distributors itself: Unless you have an adding machine in the Diamond warehouse clocking your own comics for an identical period of time, your mileage will vary.<\/p>\n<p>For reference, here\u2019s what is <span style=\"font-weight: bold;\">NOT<\/span> in the Diamond reports \u2014 and thus, in the Comichron, and <span style=\"font-weight: bold;\">ICV2<\/span>, and <span style=\"font-weight: bold;\">ComicBookPage<\/span> estimates of Diamond\u2019s reports:<\/p>\n<p>1) <span style=\"font-weight: bold;\">Diamond\u2019s sales to the U.K<\/span>. These tend to be in the 10% range when it comes to units. Diamond sold approximately $36.8 million in comics, trades, and magazines in May 2008 in North America; my best guess on UK sales is another $3.8 million. These are reported disparately to some publishers, but may not be divided out in other available publisher information. A print run of a book that sold out in a single month, for example, will invariably be higher than the Diamond estimate because overseas copies are not in the Diamond totes.<\/p>\n<p>2) <span style=\"font-weight: bold;\">Newsstand sales<\/span>, if the publisher has them, as well as <span style=\"font-weight: bold;\">any sales through other distributors, direct sales, or subscriptions<\/span> \u2014 again, if the publisher has them.<\/p>\n<p>3) Trade paperbacks through Diamond&#8217;s<span style=\"font-weight: bold;\"> returnable bookstore program<\/span> \u2014 or anyone else&#8217;s.<\/p>\n<p>4) <span style=\"font-weight: bold;\">Any comics shipped by Diamond outside the exact period<\/span> <span style=\"font-weight: bold;\">being reported<\/span>. This one sounds obvious, but it&#8217;s very significant. Comics shipping in the final week of the month find their sales bifurcated to a greater degree than comics shipping in the early weeks of the month. All sales are still reported \u2014 and so the aggregate totals are unaffected \u2014 but a Week 4 or Week 5 title will have a smaller relative fraction of its total sales with its initial entry.<\/p>\n<p>Before 2003, we could safely say that the charts underestimated sales on all comics because they only reported preorders. Since 2003 and Diamond\u2019s move to final order reporting though, we do get reorders that ship within the same calendar month. This benefits Week 1 books more than any on the list, as a consequence.<\/p>\n<p>It&#8217;s one reason I place more emphasis on the aggregate figures when it comes to studying the historic health of the industry \u2014 and relatively less on the internal trendlines of individual titles. Month-to-month comparisons become complicated when a book ships at different times in the months being compared. It\u2019s this, not just the issue number, that causes the decline you usually see when multiple issues of a weekly ship in the same month. It\u2019s not necessarily that sales are trailing off \u2014 just that the earlier issues have had more weeks in which to gather reorders.<\/p>\n<p>It&#8217;s also not entirely clear that the &#8220;shipping month&#8221; for Diamond exactly corresponds with the calendar in all occasions; it appears to match a set group of shipping days from the warehouse, but holidays and other events might cause minor alterations to the reporting calendar, as we&#8217;ve seen from some books being reported that came from slightly outside the reporting period.<\/p>\n<p>So excluding all the above, the tables Diamond releases are said to reflect <span style=\"font-weight: bold;\">comics shipped in the calendar month to Diamond&#8217;s retail accounts in North America.<\/span> How reliably are the estimates that observers have been calculating for years reporting the numbers behind the table? The answer depends on the year being discussed.<\/p>\n<p>Before 2003, when the tables were reporting preorders, different analysts found varying figures depending on where they sourced their actual sales figures from. Different publishers received purchase orders on different days, and so there was seldom perfect agreement between sources as to what the &#8220;magic number&#8221; was. I addressed this issue beginning in 1996 by taking data from several publishers at once \u2014 until I had data from comics accounting for nearly a quarter of the list. That narrowed down the margin of error quite a bit. While I maintain that method produced more reliable results, it remains the case that before 2003, different analysts using different publisher sources would always find slightly different results.<\/p>\n<p>After February 2003, however, Diamond shifted to reporting actual comics shipped, including reordered issues. At that point, inter-publisher differences with the data very nearly vanished. It appears that, at that point, Diamond streamlined the issuance of order data to many publishers so that it synched up better with the shipping period being reported. Independent observers using the reports that publishers received from Diamond immediately found that margins of error collapsed, with the order index numbers far better reflecting the numbers Diamond was sending different publishers for the month. My estimates, Milton Griepp&#8217;s, and others converged, even though we&#8217;re all using different publisher data to calculate the &#8220;magic number.&#8221;<\/p>\n<p>So since 2003, the estimates do appear to be reliably reporting the numbers behind the Order Index Numbers \u2014 the comics, Diamond says, that it shipped to North American accounts in the shipping month. They are based on data that Diamond has itself provided publishers, corresponding to the period indicated, and that the publishers have provided analysts. Those numbers are <span style=\"font-weight: bold;\">not<\/span> the sum total of comics a publisher sells, or even sells through Diamond, or even sells through Diamond in a single month. No royalty statement, no boardroom report will ever match the numbers in the table. As it is the most transparent and regularly reported indicator available \u2014 it has wide circulation, and deservedly so. But it is not all of circulation, nor do they (or we) claim it to be. When it comes to reporting the health of the comics market, it is instead a clue \u2014 a very important one, but not always the whole story.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been needing to get this online into the FAQ section of the site for some time \u2014 there actually was one before my old database imploded last year \u2014 but it comes up enough that it&#8217;s worth a permanent note, in addition to the material listed under &#8220;The Fine Print&#8221; here in various places &#8230; <a title=\"Diamond Charts Primer: What they are &#8212; and aren&#8217;t\" class=\"read-more\" href=\"https:\/\/comichron.com\/blog\/2009\/03\/31\/diamond-charts-primer-what-they-are-and\/\" aria-label=\"Read more about Diamond Charts Primer: What they are &#8212; and aren&#8217;t\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[17,64],"class_list":["post-5747","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-diamond-monthly-reports","tag-primers"],"_links":{"self":[{"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/posts\/5747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/comments?post=5747"}],"version-history":[{"count":1,"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/posts\/5747\/revisions"}],"predecessor-version":[{"id":5748,"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/posts\/5747\/revisions\/5748"}],"wp:attachment":[{"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/media?parent=5747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/categories?post=5747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/comichron.com\/blog\/wp-json\/wp\/v2\/tags?post=5747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}