With the release of December comics orders from Diamond Comic Distributors — and our subsequent analysis of and estimates for December 2017 comics sales now posted — Comichron has drawn upon that information to project estimates for the Top Thousand Comics and the Top Thousand Graphic Novels for 2017. The tables are on the page just beneath the image links to individual months.
This year’s charts have our sorting and searching features implemented, as now do our previous 26 years of annual charts, going back to 1991. You can find the links to them, along with updated comparatives for how the market as a whole did across that time, by viewing our Yearly Comics Sales page.
Led by Marvel Legacy #1, the Top Thousand Comics
accounted for around 49.68 million copies; Diamond reported it sold 89.44 million copies altogether, so that’s about 55% of all copies.
That fraction is down from around three-fifths two years ago, and underscores the degree to which the charts have gotten less top-heavy. It’s also a reason why Diamond shifted to reporting the Top 500 comics monthly; the market is fragmented such that more sales are outside the top portions of the charts.
Here are the totals for the Top Thousand Comics from the past few years. Diamond did not release figures for 2016, but we calculated minimum values for the Top Thousand based on known orders and reorders from that year:
2010: 45.3 million copies
2011: 47 million copies
2012: 53.43 million copies
2013: 52.21 million copies
2014: 52.07 million copies
2015: 58.59 million copies
2016: 59.8 million (minimum, probably slightly higher)
2017: 49.68 million copies
As you can see, 2017’s figure comes in under 2012’s — but we already know that Diamond sold more comics in 2017 than in 2012, so this is again a consequence of the Top Thousand representing a smaller portion of the distributor’s volume. In full retail
dollars, the Top Thousand Comics likely sold for $190.6 million, just a smidge under the 2012 figure; the same observation applies.
Almost everything in the Top 100 had “multiple order codes” at Diamond,
meaning there were variant covers or reprints combined into one entry;
sometimes it’s not a simultaneous variant, but rather a reprint with a different cover. Very standard, by now.
Breaking down unit sales — and again employing our estimated minimums for 2016 — we see clearly the troubles in the higher tiers in 2017. The first chart shows what’s in each bracket; the second is a cumulative measure:
AT LEAST THIS MANY COPIES DURING YEAR
The dearth of hits isn’t as bad as it appears in 2017, because of Diamond’s practice of listing variants with different cover prices as separate entries; in truth, there are five books above 200,000 copies when Doomsday Clock #1 and Batman #21‘s versions are fused. Taking the chart as is, however, just 99 comics topped 75,000 copies in 2017, less than half the sum projected as the minimum for 2016, when Marvel was doing better and when DC had its Rebirth launches.
And yet, the industry was still moving the same number of different titles, we can see: 2015 was a much better year than 2017, and yet retailers ordered at least 25,000 copies of the same number of titles, 1,166, in each year.
Every year we also add a number of items to the Top Comics of the Decade and the Top Comics of the Century (So Far, in each case) lists. As you might expect — especially in a year with no Loot Crate activity — a smaller number of new entrants made the lists, and at lower ranks. The year 2017 added 26 comics to the 300 bestselling comics of the 2010s, with Marvel Legacy #1 placing 20th, and 15 comics to the 300 bestselling comics of the 21st Century, with Marvel Legacy #1 placing 25th.
Top Thousand Graphic Novels, led by Saga Vol. 7, went for $73.19 million. We again counted up all the graphic novels Diamond reported in 2016 to come up with a minimum for that year, and for this category the estimate is definitely too low, since graphic novels sell every month of the year but only a few get to chart every month. It’s probably more like $80 million.
2011: $58.4 million
2012: $71.4 million
2013: $79.03 million
2014: $81.19 million
2015: $81.46 million
2016: $69.48 million (minimum, likely a good deal higher)
2017: $73.19 million
Thousand Comics and Top Thousand Graphic Novel lists account for only a little over 50% of all the orders by dollars Diamond received for print products in
2017. That’s again a drop, down from around 55% in 2015. As they were earlier this decade, the the
top-selling books accounted for less of the pie; unlike earlier this decade, the pie didn’t grow in 2017.
Who published the Top Thousand Comics this year? Here’s the breakdown:
Comichron founder John Jackson Miller has tracked the comics industry for more than 25 years, including a decade editing the industry’s retail trade magazine; he is the author of several guides to comics, as well as more than a hundred comic books for various franchises.
He is the author of novels including Star Wars: Kenobi, Star Wars: A New Dawn, Star Trek: Discovery – The Enterprise War, and his latest release, Star Trek: Discovery – Die Standing. Read more about them at his fiction site.
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